![]() “The film is rooted in a profound pessimism about what’s unfortunately happened to this country in the last 30 years. "When John’s character says, ‘Nothing they told me was true and there’s nothing left worth fighting for,’ I think his words will resonate for many people,” Petersen told The Los Angeles Times. Petersen considered the political thriller - which cast the heroic Eastwood as the tired but devoted defender of a less honorable president - an indictment of Washington. I needed time to get a feeling for this work - it’s not Germany anymore.” “Then I came into the stormy international scene. Up to ‘NeverEnding Story,’ my career was one success after another,” Petersen told The Associated Press in 1993. You look at other directors they don’t have the big successes all the time. “In the Line of Fire” was a major hit, grossing $177 million worldwide and landing three Oscar nominations. Eastwood met with Petersen, checked out his work and gave him the job. Seeking a director for the film, Eastwood thought of Petersen, with whom he had chatted a few years earlier at a dinner party given by Arnold Schwarzenegger. In it, Petersen marshalled his substantial skill in building suspense for a more open-air but just as taut thriller that careened across rooftops and past Washington D.C. Happy Gilmore – no, not that one – commits to play college golf in Indianaīut Petersen’s first foray in American moviemaking was child fantasy: the enchanting 1984 film “The NeverEnding Story.” Adapted from Michael Ende’s novel, “The NeverEnding Story” was about a magical book that transports its young reader into the world of Fantasia, where a dark force known as the Nothing rampages.Īrguably Petersen’s finest Hollywood film came almost a decade later in 1993’s “In the Line of Fire,” starring Clint Eastwood as a Secret Service agent protecting the president of the United States from John Malkovich’s assassin. “Das Boot” launched Petersen as a filmmaker in Hollywood, where he became one of the top makers of cataclysmic action adventures in films spanning war (2004's "Troy," with Brad Pitt), pandemic (the 1995 ebolavirus-inspired "Outbreak") and other ocean-set disasters (2000's “The Perfect Storm" and 2006's “Poseidon," a remake of “The Poseidon Adventure,” about the capsizing of an ocean liner). ![]() We all lived for American movies, and by the time I was 11 I’d decided I wanted to be a filmmaker." “We kids were looking for more glamorous dreams than rebuilding a destroyed country though, so we were really ready for it when American pop culture came to Germany. “In school they never talked about the time of Hitler - they just blocked it out of their minds and concentrated on rebuilding Germany,” Petersen told The Los Angeles Times in 1993. ![]() In the confusion of postwar Germany, Petersen - who started out in theater before attending Berlin’s Film and Television Academy in the late 1960s - gravitated toward Hollywood films with clear clashes of good and evil. Petersen, born in 1941, recalled as a child running alongside American ships as they threw down food. Get Connecticut local news, weather forecasts and entertainment stories to your inbox. ![]()
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